Discover the latest industry news and audio post production.
SampleTraxx is gaining a wonderful reputation in the Sound/Music community of late, with their collection of crossover products, which fuse epic (often aggressive) audio fragments with musical timbres. TORSION builds on this infamous style with it’s high tech, cinematic edge.
November 23, 2021
Company: SampleTraxx
Product: TORSION
Price: €79
Our Rating: 4.8/5
We created a demo track to show what TORSION can bring to your sound and music projects (all elements are TORSION except for some of the percussive sounds):
The files are placed neatly into 2 folders: one for Kontakt patches and one for WAV samples. The WAV folder contains 12 sections including vocals, braams, risers and more.
Over 300 samples are included, which is exceptionally valuable when paired with the included 86 Kontakt Instruments, extending it’s scope dramatically. 24 Bit 96 kHz sound effects allow for further processing with reduced artefacts.
As always, the presentation and branding from SampleTraxx is spectacular. The Forge engine is used to house the Kontakt Instruments, it looks and feels like a futuristic military control centre, very nice. This adds numerous functions for audio experimentation, including but not limited to: arpeggiator, polyphonic sequencer, rhythmic gater, unison, resonant delay and dual engine reverb. We used this extensively on our demo track.
The name is suitably fitting to the aesthetic of all included sound assets. Twisted and mangled, a Sound Designer can expect to tinker with these on supernatural and experimental projects. Composers can expect to add flavour to otherwise stale and mundane arrangements. When we compose music, we love to add some distorted/atonal elements, especially to orchestral pieces.
The balance of frequencies and dynamics with SampleTraxx products usually leans towards the ‘processed’ side, with well implemented EQ and compression. Some users may prefer dry sounds, but it’s highly unlikely you would want to use these without processing them first anyway.
Torsion has a tone of instant satisfaction. Images are transformed by it’s presence, especially when they themselves have ample movement and an erratic nature. Even when producing the most head splitting transformative sounds, SampleTraxx manage to keep them from hurting the listener.
Compared to some of the other products in the over-saturated 'Cinematic Elements' market, TORSION has finesse. SampleTraxx are not trend followers, they are trend setters - which is why their sounds have been used by Hollywood movies, all the way through to indie films.
Not only does SampleTraxx deliver on content, they also deliver on price. We definitely advise the use of Kontakt to get the full experience with TORSION.
One way to improve the product is to add more content, but we're just being greedy. This could be in the form of an 'elements' folder which contains the building blocks for some of the audio assets.
Flip your audience on their heads with TORSION. Bring movement to exciting images and perk up some ears. Go buy it now at a reduced price, and be sure to listen to the free mini pack available below.
Buy TORSION now with a discount
Sound Ex Machina have released their latest library Scratches, offering bone-chilling audio elements which many a Sound Designer will want to experiment with.
November 23, 2021
Company: Sound Ex Machina
Product: Scratches
Price: $59
Our Rating: 4.8/5
The library is organised by into 10 material folders (concrete, glass, marble etc.) and was recorded close miked in an acoustically treated environment. There is also a thank you note included which brings the users closer to the brand, a nice touch. The audio files are delivered in 24 Bit 96 kHz WAV and have Soundminer Metadata. Everything looks well structured and user friendly, the artwork represents the content well. There are more than enough audio assets to get your teeth stuck into, with 700+ files totalling over 2GB.
The theme of this library lends itself mainly to the interaction of materials, and so has lots of scope for effects which are often missing from general effects libraries. Most Sound Designers have a need for these sounds - creating Stingers in Horror Films, Sci-Fi Films and more. Of course there is also a more straight forward use which is using them for accenting Foley and Spot Effects in your projects.
The Sound Effects have a balanced frequency response, which feels like it has had some corrective EQ, the highs are subdued and clean, and the lows aren't as overbearing as you would expect from certain objects, which makes the product more instantly usable. The close miked sound really allows the user to 'dig deep' with Sound Design. Some of our personal favourites are from the 'Metal' folder!
The opportunities here are massive for those of you who like to play with source material. Many of the recordings have a definite 'musical' quality, that lends itself well to abstract audio elements and creature vocal shrieks. For those who just need some interaction sounds, Scratches will be a great accent to doors, switches, vehicle foley, machinery and even gore sounds. We can see a lot of this being used in a dystopian environment such as the Fallout series.
Scratches is the perfect library to trigger those nasty Misophonia responses, when you need Sound Effects to convey downright terror.
It is very hard to fault considering the price and the variety of files available. The only thing we can say is that some files have a slightly thinner sound, likely due to the huge array of tools used to create friction. By no means does this reduce it's usability and we will certainly be using this on future projects!
Dust clouds plaguing your carpet? Kitchen floor starting to get dirty? Badlands Sound have the solution with Retro Vacuum. Get it now for just $20. Retro Fabulous.
November 23, 2021
Company: Badlands Sound
Product: Retro Vacuum
Price: $20
Our Rating: 4.6/5
Everything here is neat and tidy, carefully packaged into 4 categories (Activity, Exterior, Foley, Onboard), Lots of coverage, captured in 24 Bit 96kHz WAV format. Badlands Sound libraries are always a well packaged treat, lets start 'er up.
Badlands have shown a real progression with this library in terms of content and consistency, they are experts in choosing a theme that no one ever dares to try, no matter how mundane the source material.
Each category on offer has a distinctive vibe and character:
Activity offers distant and close perspectives of various movements on different surfaces. This proves useful for extended scenes and is easy to edit, due to the noise based nature of the vacuum. Exterior offers up sounds reminiscent of vehicle libraries, with multiple pass bys that impressively omit any of the recordist's footsteps. Both of these sections have a more distant and 'roomy' quality, allowing them to blend into a retro living room in a pinch!
Foley offers up some useful auxilliary samples, from the vacuum, and are a great way to get those authentic plasticky bag grabs, button hits and squeaks. Onboard hillariously gives you the dry onboard sounds of the vacuum, much like an interior car engine library - great for worldizing vacuums in your film spaces. We would definitely use the Onboard sounds for Spaceship and vehicle design too. Both of these sections have a 'closer' quality with less room reflections.
One thing that struck us about this library compared with other Badlands products was that it feels EQ'ed. You can definitely hear which files were recorded with the RODE NTG3, yet its 'boominess' seems to be less present than we're used to. It feels like it has been balanced by EQ or recording distance, which doesn't hurt the library but is worth mentioning.
The focus here is on functionality, and there is a drag and drop quality to a lot of the sounds. The performance aspect, the lack of footstep noises, and the overall coverage make this library a winner for $20.
The overall sound is quite varied. Categories 1 and 2 have a much roomier, and reflective sound, that sometimes feels phasey. 3 and 4 are up close and personal. While this allows for use in multiple situations, don't expect all categories to blend seamlessly without processing.
Some of the Foley sounds could have also had more tail, cutting them shorter makes it tough for the Sound Editor to tracklay effectively.
Overall, a small price to pay for the amount of content and the detailed coverage of the overall theme.
If you need vacuum sounds, you don't have an old vacuum at your disposal or you're short on time, this one is for you. The onboard category provides a tone that will work with new and old vacuum models alike in your projects.
Mattia Cellotto is known for delivering some of the finest source material for audio manipulation. Ultrasonic Dry Ice exudes a level of playfulness and sonic detail that encourages results.
November 23, 2021
Company: Mattia Cellotto
Product: Ultrasonic Dry Ice
Price: $65
Our Rating: 4.8/5
Once the freezer door was opened, and we pulled out the icicles of Designed and Raw sounds, it was time to take a look at the content. As usual, Mattia's branding for this library is nothing short of a modern DaVinci, with his signature, hand drawn look; beautiful.
When opening the root folder, you are greeted with a very personable and useful Library Information document, a big plus for us. There is a support email address, as well as some tips for audio manipulation, and a guide to the file naming structure. Mattia generously named the filenames for users that don't have dedicated library management software. He also tagged extensive metadata - covering all bases for SFX searching.
The files are split between Raw and Designed folders which offer the user a chance to use the initial recordings, or the suggested designed ideas offered up by Mattia.
There is lots of content to cover the theme - 71 minutes of data, over a whopping 635 sound effects. The recordings were captured with some stunning equipment, allowing users to work with content above the human hearing range. The sounds were recorded at 192 kHz with a Sanken CO100K, a couple of Sennheiser MKH8040's and a MKH416 through a Zaxcom recorder.
When auditioning the sounds, you really get the sense of overall quality from the equipment used. Dry ice should make your skin crawl, like nails on a chalkboard. Mattia has recorded this in such a way that it keeps the atonal edge, without the harsh overtones that you would imagine. The overall frequency range is balanced, and the distance perception feels just about right. We have used Mattia's previous products extensively, especially Polarity, which tends to creep into lot's of our more general design work, and often inspires fresh ideas.
The variety of materials recorded in the Raw folder, gives the user so many sonic options. As many of the resonating tools used were metal, you get metallic textures, as well as dry ice. There are atonal elements, but some files have a clearly defined tonality, often melodic in nature.
The Designed folder offers up some great starting points for further manipulation. There are Stingers, Risers, UI sounds and more. The pricing at $65 feels just right, and provides exceptional value - especially if you take advantage of the 20% off currently available at A Sound Effect.
Pitching down theses sounds leaves you with a sense of unimaginable horror. A ghastly, breezy, smoky, icy wasteland, reminiscent of The Thing is instantly conjured, and Mattia created this library with the full intention of you exploring this.
In terms of situational use, our Sound Design instincts are screaming Modern Horror/Sci-Fi. We'd be surprised if Oats Studios' Sound Designers don't purchase this product, as it screams Neill Blomkamp. It also works well for creature design when pitched. Almost whale-like tones can be had. Any on screen cue with metallic friction can benefit from this tool, especially screeching industrial trains or vehicles coming to a halt.
We would definitely use Ultrasonic Dry Ice in atonal music too, paired with Spitfire's Albion IV, some wonderfully hellish textures could be crafted. It is also powerful for sonic branding. Iconic sounds can be found with time-stretching and pitching, which feel right at home as part of a dark, minimal ident.
Even after the clear risk of frostbite endured to create this wonderful sound library, there are a few suggestions which we feel could push it to the next level...
The sounds in the design folder, while reasonably manipulated, still feel like more of a starting point for further mangling - some users may want instant gratification.
We would like to also see Mattia push the library in a further musical direction, creating atmospheric pads and sequences, that would allow composers to implement these wonderful textures. A Kontakt library would be a very welcome addition, and make the library exceptionally valuable for the user.
There may also be further scope to explore the world of dry ice, on more unusual resonating surfaces - something to include in a future library.
Any Sound Designer looking for source material, will not be dissapointed with Ultrasonic Dry Ice. The price on offer currently makes it an instant purchase for Designers carrying out Sci-Fi/Horror work. Go grab it now!
Articulated Sounds latest product Yeti Monster, is a great example of their implicit attention to detail. An innovative theme with outstanding execution, and more uses than you might think.
November 23, 2021
Company: Articulated Sounds
Product: Yeti Monster
Price: $39
Our Rating: 4.7/5
The first thing to mention about Articulated Sounds is that their presentation is impeccable. A quick look over their website reveals a company who care about the user's experience when searching for products. Their sound libraries are also high quality, Yeti Monster being recorded and delivered in 24Bit 192kHz and recorded with high end microphones such as the Sanken CO-100K and the Sennheiser 8090.
The file hierarchy here is clean and simple, with naming conventions, extensive metadata and every organisational base covered for users. Their ReadMe document has a nice thank you message and offers a chance to give feedback or contact the company with questions.
As well as the main body of sounds provided, there is a folder intended for use in cartoons, which makes sense given the library's theme.
So, does the library live up to this mythological creature's spooky reputation? We think so. The inclusion of different vocalisations, snow movements and footsteps have this monster well covered. The pitching in the sounds is clean and free of artefacts, leaving audio that can be processed much further if desired.
Yeti Monster has uses for much more than just this ice dwelling ape. We would happily use it as a base layer for vocalisation, adding other animals into the mix to create unique textures. The fact that over 10 voice actors were used adds immense value, but isn't painfully obvious. There is enough difference and variation to cover multiple beasts without them sounding too far apart in a scene. We could see them being used as trolls, gorillas and other humanoids.
The overall sound is great, the variety is plentiful and it has an 'instantly usable' feel. You can tell that some of the worlds best equipment was used to capture these performances, and time was invested into pitching them down to the correct point with a good algorithm.
The price is fair and gives you great bang for buck, as well as saving you the time and rental cost of hiring this great equipment and sourcing voice actors for vocalisations on your projects.
The one downside to this library, which came as quite a surprise to us, was that there were some inconsistent edits on particular files. The great news is that Articulated Sounds instantly fixed these and updated the library after we informed them.
Do not underestimate this library's potential to cover multiple beastly expressions within projects. For those who do creature design and cartoon/animation frequently, this product will be a useful addition.
